To enrich my collection I want to exchange some works.

Would you like to own a work by Claude Weisbuch?

According to the information I have, my collection of prints by Weisbuch is one of the most important. Finally the paradox is that to enrich my collection I want to exchange some works.

Here are some (I did not photographed all of them). Of course on simple request (via the contact form) I shall send you photos and a complete detailed description.

If you are looking for a particular work we can talk about it together ; I also have duplicates that I can sell at a very interesting price.

lithographs…

“Mozart chef d’orchestre”

Litograph by Claude Weisbuch. Signed artist proof The condition is perfect, no fold or trace.

Size 170 cm x 120 cm
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lithograph "The conductor" by Claude Weisbuch — This lithograph is not only the largest of Claude Weisbuch’s work but it is the symbol of Weisbuch’s ‘Mozart’ era. Note the shadows of the 2 characters in the background. Lithograph with 3 color passages.

The largest lithography Weisbuch created.

“The violinist”

Litograph by Claude Weisbuch. Signed artist proof The condition is perfect, no fold or trace.

Other photos on request.
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Engraving "The violinist" by Claude Weisbuch — Artist’s proof of an engraving by Claude Weisbuch. This engraving and its copper were made by the artist for me. This drypoint has 2 passes, the first to ink the slightly gray background and the second pass to ink the pattern.

“The Prancing rider”

Beautifull and very rare lithograph by Claude Weisbuch. Signed artist proof The condition is perfect, no fold or trace.

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Lithograph "The horseman" by Claude Weisbuch — As always Weisbuch plays on color sparingly. The line remains a key element.

“The lesson of Professor Tulp”

Litograph by Claude Weisbuch. Signed artist proof The condition is perfect, no fold or trace.

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Lithograph "The lesson of Professor Tulp" by Claude Weisbuch — Taken from a title by Rembrandt, this painting was commissioned by the guild of surgeons of which Tulp was an eminent representative. Here we have a second interpretation in lithography of “Professor Tulp’s lesson” by Claude Weisbuch.

“Rembrandt dans l’atelier”

Litograph by Claude Weisbuch. Signed artist proof The condition is perfect, no fold or trace.

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Lithograph "The painter" by Claude Weisbuch — This painter is of course Rembrandt whom CW venerates… Rembrandt, like Weisbuch, was very prolific in terms of engraving. Here he applies to him as to his musicians the technique of multiplication of hands.

Engravings…

“Opening”

Dry point engraving by Claude Weisbuch. Signed artist proof The condition is perfect, no fold or trace.

Size 57cm x 38cm on Paper Moulin du Gué
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Engraving "Opening" by Claude Weisbuch — Modern and classic this uncluttered engraving gives us a sample of the immense talent of Weisbuch.

“Les amateurs d’estampes”

Dry point engraving by Claude Weisbuch. Signed artist proof The condition is perfect, no fold or trace.

on Moulin du Gué Paper
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Engraving "Print's lovers" by Claude Weisbuch — Like us, here are “print lovers”. This study gave birth to 2 versions, this is the second with 4 characters. The technique used is called drypoint.

“The discourse of the useless” or “The comedy of the derisory”

This piece has two different names related to a political bink eye…
Tryptique of 3 engravings on one page, by Claude Weisbuch. Signed artist proof The condition is perfect, no fold.

on Paper Moulin du Gué
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Engraving "The speech of the useless" by Claude Weisbuch — We wonder, we shout at each other, we bark or we are indifferent, in short we “exchange”. This rare engraving has in fact two titles “The speech of the useless” or “The comedy of the derisory”. It is a triptych of 3 juxtaposed copper plates.

Very rare ! Some brass…

“The faTher of dom Juan”

Very rare, this “locked”copper matrix has been used for the realization of the bibliophile book “Dom Juan” of Molière

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Copper "Dom Luis Juan's Father" part of MSM Collection — Very rare, this “barred” copper matrix was used for the realization of the bibliophily work “Dom Juan” by Molière. The plate is signed “Weisbuch”. The copper is crossed out twice after the paper impressions so as not to be reprinted.

Two-sided copper, front “Portrait of Rembrandt”, back “atelier’s visitor”

A beautiful piece of art : a double face copper LARGE matrix

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and this includes two authentic and unique workshop prints

Copper representing a portrait of Rembrandt. this copper has the particularity of having been used on both sides. A seated figure is engraved on the back.